Choreographer Silas Farley's piece, Dowland Dances, draws inspiration from the idea that art can transcend history, evolving and moving forward while drawing inspiration from the past. 

The piece is set to Sting’s rendition of music by the English Renaissance composer John Dowland. Farley was intrigued by the idea that Dowland, a pop star of his own generation, has inspired and lived on through a contemporary pop star like Sting. Farley has similarly drawn inspiration from ballet’s long history, mixing the old with the new, to create this unique piece.

Choreographer Silas Farley's piece, Dowland Dances, draws inspiration from the idea that art can transcend history.

Dowland Dances

Christian Spuck’s production has been celebrated not only in Zurich, but also at guest performances given by the Ballett Zürich in Tel Aviv, Bogotá and Stuttgart. Inspired by Prokofiev’s vivid music and the timeless quality of Shakespeare’s tragedy, the choreographer narrates the most famous love story in world literature using strong images that are full of enthralling theatricality and touching emotion.

Christian Spuck’s production has been celebrated in Zurich, but also performances given by the Ballett Zürich in Tel Aviv, Bogotá and Stuttgart.

Romeo und Julia

Lauren Cuthbertson and Vadim Muntagirov lead a charismatic cast in Ashton’s poignant and heart-warming reflection on love, The Two Pigeons, based on an old French folktale and first performed on Valentine’s Day 1961 and not seen at the Royal Opera House since 1985, In his story of a wayward young man blind to the value of what is right in front him, Ashton explores the nature of love in one of his most charming, elegant and moving works.

Lauren Cuthbertson and Vadim Muntagirov lead the cast in Ashton’s poignant and heart-warming reflection on love, The Two Pigeons

Two Pigeons

The father of the American Ballet, George Balanchine, once studied with the world renowned Mariinsky Ballet in St Petersburg. 

Though Jewels, an original piece of work by Balanchine, had its premiere in New York, it has since become a core part of the Mariinsky Theatre’s repertoire. 

This production stars Ulyana Lopatkina, Igor Zelensky and Andrian Fadeyev.

The world-renowned Mariinsky Ballet presents an unmissable performance of George Balanchine’s Jewels.

Jewels

PLACE is a sensational dance film, especially created for world-famous dancers Mikhail Baryshnikov & Ana Laguna by an outstanding international team of artists, including legendary choreographer Mats Ek, and Grammy, Cannes award-winning director, Jonas Akerlund.

PLACE is a sensational dance film, especially created for world-famous dancers Mikhail Baryshnikov & Ana Laguna.

Place

Marguerite and Armand is Ashton’s beautiful and emotional retelling of a well-known story, familiar to us through Verdi’s opera La traviata. Ashton famously created this poignant ballet on Margot Fonteyn and Rudolf Nureyev in 1963, and here it is performed by guest Roberto Bolle and in her farewell performance, Zenaida Yanowsky.

Performed by guest Roberto Bolle and in her farewell performance, Zenaida Yanowsky, Ashton's Marguerite and Armand retells the opera La Traviata.

Marguerite and Armand

A Film adaptation of The Lost Happy Endings written by Carol Ann Duffy and originally directed for the stage by balletLORENT’s Artistic Director Liv Lorent (MBE). Filmed at Newcastle Theatre Royal in October 2020. What happens when the fairytale Happy Endings are stolen? Deep in the forest lives Jub, a magical girl with six fingers on each hand. Her job is to guard the Happy Endings to stories and fairytales. But one day an otherworldly Witch steals them, and at bedtime the stories are destroyed...Packed with spirit, adventure and glorious surprises, this fantasy family show featuring everyone’s favourite fairytale characters (Snow White; Pinocchio; Goldilocks and Cinderella to name but a few), will delight generations both old and young. Original score composed and performed by Murray Gold (Doctor Who) with set design by Neil Murray, costume design by Nasir Mazhar and narrated by Joanna Lumley. Filmed and directed for the screen by Vilte Bacliunaite and Game of Throne’s Ben Crompton.

A Film adaptation of The Lost Happy Endings written by Carol Ann Duffy and originally directed for the stage by Artistic Director Liv Lorent.

The Lost Happy Endings

Choreographer Dana Genshaft's work ‘All the Little Boxes’ pulls on the elements of movement, music, lighting and costume design to create a ‘world’ on stage in which the characters of the work are confined to their own personal bubbles or boxes. Each character is focused on their own task, boundaries and personal dramas. The piece is a non-narrative work with a strong emotional arc that brings the dancers out of their isolated and rigid mechanical patterns into a brighter and more hopeful shared space. The balletic movement language likewise plays with the juxtaposition between human and mechanistic qualities. The tone swings from spaces that feel empty to ones that are charged and full of emotions.

Choreographer Dana Genshaft's work creates a ‘world’ on stage in which the characters are confined to their own personal bubbles or boxes.

All the Little Boxes

Banned for 74 years for preaching anti-Soviet ideals, and not performed since it’s premiere in 1931, the Bolshoi Theater’s production of Shostakovich's The Bolt is revived with choreography by Alexei Ratmansky. Although today’s version has been called “incredibly exciting, outrageously entertaining, and improbably edifying, providing great fun for communists and capitalists alike”, Shostakovich was less than enthusiastic about the original plot, and described it as follows:“There's a machine. Then it breaks down (problem of wear and tear on equipment). Then they fix it (problem of amortization), and at the same time they buy a new one. Then everyone dances around the new machine. Apotheosis. All this takes three acts."

Banned for 74 years for preaching anti-Soviet ideals, and not performed since 1931, the Bolshoi with Alexei Ratmansky revives Shostakovich's The Bolt.

Bolt

Maurice Béjart’s compelling staging of Beethoven’s Ninth Symphony has been enchanting audiences worldwide since its
inception and its idea of universal brotherhood remains highly topical. “Alle Menschen werden Brüder” (All men will be
brothers) is the powerful message communicated by the unforgettable music and choreography.
From the stage of the NHK Hall in Tokyo 250 dancers and musicians send this message out into the world. “It is a ‘manifestation’,
in the deepest sense of the word.” This performance was filmed in November 2014, and is the first recording of this work.

Maurice Béjart’s compelling staging of Beethoven’s Ninth Symphony has been enchanting audiences worldwide since its inception.

The Ninth Symphony by Maurice Bejart

Newcastle-based balletLORENT filmed Rumpelstiltskin at Northern Stage, Newcastle, in October 2017, before touring the UK to much acclaim and success. Liv Lorent, Director and Choreographer balletLORENT, said: “Rumpelstiltskin is the story of the outsider, shunned for being different, and the secret power and knowledge he possesses. He is the original super mutant, a fairytale X-Man in a story of love, obsession, childhood, grief and reconciliation that is made as much for children as it is for adults.”

Newcastle-based balletLORENT filmed Rumpelstiltskin at Northern Stage, Newcastle, in October 2017.

Rumpelstiltskin

Inspired by the music of France’s Maurice Ravel, star choreographer Sidi Larbi Cherkaoui partners with Jeroen Verbruggen in a stunning display of dance which many think will write itself into the history of dance.


Verbruggen, winner of ballet’s prestigious Prix de Lausanne, takes his inspiration from Ravel’s Pavane pour une Infante défunte and from Ma mère l‘oye. 
Cherkaoui translates Ravel’s Pictures at an Exhibition into dance with a program full of surprises for the Royal Ballet Flanders/Ballet Vlaanderen.

Choreographer Sidi Larbi Cherkaoui and rising star Jeroen Verbruggen take their vision of Ravel's music to the stage for Royal Ballet Flanders.

Ravel by Cherkaoui & Verbruggen

MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty in this production.

Manon

Sensual and entrancing, Kylián's Wings of Wax is an allegorical journey danced beneath the branches of an inverted tree to a hauntingly beautiful score of selections by musical giants Philip Glass, Heinrich von Biber, John Cage, and Johann Sebastian Bach.

Kylián's Wings of Wax is an allegorical journey danced beneath the branches of an inverted tree to a hauntingly beautiful score.

Wings of Wax

Angelin Preljocaj was born into a family of Albanian immigrants in 1957 and received a solid training as a dancer in France before taking part in a course with Merce Cunningham in New York in 1980. His themes of love, war and labour are perennial human themes enriched by his carefully observed details from everyday life with a dance vocabulary strongly oriented towards physicality and sensuality. His own company, Ballet Preljocaj, resides at the Pavillon Noir in Aix-en-Provence, a building entirely dedicated to dance with Angelin Preljocaj its artistic director. His company is touring worldwide and gives about one hundred performances per year. His ballets SPECTRAL EVIDENCE and LA STRAVAGANZA were both conceived for the New York City Ballet.

SPECTRAL EVIDENCE: From 2013 to music by John Cage is based on the Salem Witch Trials and a recording of vocal music by John Cage. It has four men in dark suits and clerical collars and four women in white dresses with different patches of red silicon.

LA STRAVAGANZA: From 1997 to music by Vivaldi, Evelyn Ficarra, Serge Morand, Robert Marmandeau and Åke Parmerud deals with Contemporary Culture meeting 17th century society. Dancing to Vivaldi and electronic music we experience a merger of fantasy and reality, a dialogue of the past with the present, the old world with the new world.

Angelin Preljocaj's themes of love, war and labour are enriched with a dance vocabulary oriented towards physicality and sensuality.

Christmas Oratorio

Hamburg Ballet

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