Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen. This glittering new production is inspired by Hans Christian Andersen’s much-loved tale – which was also the basis for Frozen. It will be set to the music of Rimsky-Korsakov, performed live by the full Scottish Ballet Orchestra. From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s palace, where you’ll find her surrounded by the icy fragments of an enchanted mirror. Along the way you’ll meet a colourful cast of characters, from young lovers parted by a spell to a circus ringmaster with a few tricks up his sleeve.

Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen.

The Snow Queen

Royal Ballet Principal Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic. Marius Petipa’s The Sleeping Beauty holds a special place in The Royal Ballet’s repertory, with its vibrant sets and glittering costumes and featuring such iconic moments as the Rose Adage, the Vision pas de deux, the exuberant wedding celebration and the charming fairy-tale guests, all danced to Tchaikovsky’s richly layered music – one of the most beloved ballet scores of all time. This Sleeping Beauty captures all the magic and virtuosity that ballet has to offer.

Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic.

Sleeping Beauty (2017)

Performed by The Australian Ballet, Peter Wright’s production of The Nutcracker is considered the world’s most beautiful.

The Nutcracker

Watch three bite-sized performances inspired by Tchaikovsky’s iconic Swan lake. 

Choreographer Eric Gauthier asked star choreographers Hofesh Shechter, Cayetano Sato, and Marco Goecke tending to take a single aspect or idea from the classic swan lake and transform it into something completely unique. There are no swans or white tutus here. Instead, each piece is a new and exciting creation. 

Hofesh Schechter’s Swan Cake is a burst of energy featuring 8 dancers in constant motion. 

Cayetano Sato’s Untitled for 7 Dancers is a moody exploration of transformation set to an electro-score by the young composer and cellist Peter Gregson.

Marco Goecke’s Shara Nur was inspired by a lake in Russia whose water is rumored to turn the body red after a swim.

Eric Gauthier asked choreographers to create their very own version of Tchaikovsky‘s ballet “SWAN LAKE”.

Swan Lakes

Set outside of place and time, Graeme Murphy’s Romeo & Juliet is a transcendent ode to the timeless love story. 

Spanning multiple locations, vividly realized by set designer Gerard Manion and fashion designer Akira Isogawa, this striking ballet centers on the universal tale of love overcoming adversity. 

With nuanced performances from principal dancers Madeline Eastoe and Kevin Jackson, this unique take on the classic love story was filmed at the Sydney Opera House.

Graeme Murphy reimagines Romeo and Juliet for a striking ballet filmed at the Sydney Opera House.

Romeo and Juliet

Join Clara on a magical journey as Matthew Bourne transforms a festive classic into a new family-sized feast for the senses. 

Unwrap an adventure to Sweetieland, brought to life through lavish sets inspired by the golden age of Hollywood musicals, and delight in Bourne’s dazzling choreography set to Tchaikovsky's iconic 1892 score.

Filmed live at Sadler's Wells in London, this enchanting ballet on ice stars Cordelia Braithwaite as Clara, Harrison Dowzell as the Nutcracker, Ashley Shaw as Sugar, and Dominic North as Fritz. Brimming with Christmas charm and surprises, it’s a joyful cracker from start to finish.

A candy-filled ice-skating adventure awaits Clara in Matthew Bourne's dazzling reimagining of a Christmas classic. 

Matthew Bourne’s Nutcracker!

Starring characters from Scottish Ballet’s most popular festive ballets, the worlds of the Snow Queen and the Sugar Plum Fairy collide when the theater bursts into life with the Secret Theatre feature film. 

In this spectacular film, audiences are treated to an extraordinary show filled with acrobats, snowflakes, clowns, princes, and – of course – beautiful ballerinas.

A stunning feature length film starring characters across the Scottish Ballet’s most festive ballets, including Snow Queen and Sugar Plum Fairy.

Secret Theatre

A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: a touch of enchantment, a dash of romance and masses of sumptuous costumes.
Swanilda and her merry boyfriend Franz live in a village with Dr Coppelius, a sinister magician and inventor who has created a beautiful doll that he sits on his balcony. One day Franz sees the doll, Coppélia, and becomes infatuated with her. Swanilda and her friends decide to explore Dr Coppelius’ house while he is out to see who the mysterious woman is, but he returns suddenly and Swanilda hides – pretending to be Coppélia. At the same time, the love struck Franz finds a ladder and climbs into Dr Coppelius’ house, so Coppelius, who plans to steal his life force to animate his doll, pours him a drink with a sleeping draught in it. When Franz passes out, Coppelius brings out Coppélia so Swanilda pretends to be a doll coming to life. Coppelius is delighted – until Swanilda manages to wake Franz and they escape from the house and are married, sealing their love with a tender pas de deux.
Sorcery and masquerade, romance and high jinks – this is the funniest, sunniest ballet you’ll see all year.

A sparkling tale of magic and mischief, Coppélia has everything a ballet should: a touch of enchantment, a dash of romance and sumptuous costumes.

Coppélia

For over 70 years, the magic of Christmas has come alive at New York’s Lincoln Center. Now, you can bring this cherished holiday tradition into your home.

With masterful choreography, lavish costumes, and Tchaikovsky's timeless score, the enchanting tale of young Marie's dreamlike journey unfolds. An onstage blizzard whisks her to the Land of Sweets, where mischievous mice battle toy soldiers. The iconic "Sugar Plum Fairy" pas de deux, celebrated for its beauty and technical precision, stands out, along with the mesmerizing "Waltz of the Flowers" and "March of the Wooden Soldiers." Tiler Peck shines as the Marzipan Shepherdess, showcasing exceptional artistry and control.

The costumes, designed by Karinska, are true masterpieces. Notably, Mother Ginger's towering gown, spanning 9 feet wide and weighing 85 pounds, as well as a sparkling Christmas tree that magically grows to 40 feet before your eyes.

Immerse yourself in a holiday classic of dance, music, and wonder as Marie is whisked away to the enchanted Land of Sweets.

George Balanchine’s The Nutcracker

Fantastic fairies, opulent balls, and a healthy dose of humor. Choreographer Christian Spuck reimagines Marius Petipa’s timeless classic, Sleeping Beauty, for Ballett Zürich.  

Christian Spuck ( Romeo and Juliet, Messa da Requiem, The Nutcracker and The Mouse King) presents a fresh and captivating take on the beloved ballet. This enchanting adaptation follows the journey of sheltered Aurora, beautifully portrayed by Michelle Willems, as she courageously breaks free from expectations and steps into her own. Supported by a brilliantly costumed cast of androgynous fairies, thanks to costume designer Buki Shiff, Spuck turns the spotlight on the fate of Carabosse ( William Moore) blurring the line between good and evil. This production is full of quick wit, magical designs, and of course, Spuck’s unique choreographic language. Accompanied by Philharmonia Zurich, under Servenikas’s baton, Tchaikovsky’s melodies provide the perfect backdrop to this mesmerizing production. Combining the best of fairy tale magic and artistic innovation.


Tchaikovsky's Sleeping Beauty with Ballet Zurich; Choreographer Christian Spuck creates a modern and exciting new interpretation of the popular fairy tale.

Sleeping Beauty - Ballet by Christian Spuck

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world. The magic in the story suddenly takes hold of the viewer. Ballet is not simply a way of telling the story. Rather than gestures asking to be deciphered, the choreographer created large-scale, visionary movements closer to an artistic language of symbols and plays on the whole spectrum of human emotions. It always maintains a relationship of creative tension with its surroundings, especially the music, the poetry of the set, the use of light and colour, the texture of the costumes. A key element of this artistic responsibility is to tell the story precisely but openly, without pinning it down, especially the ending – an ending which is in a many-facetted sense a “deliverance”. Does this mean that the lovers are saved? Is the spell’s power broken? Are there other kinds of salvation and deliverance? Perhaps even by death and transfiguration? Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world.

Tchaikovsky: Swan Lake

The romantic ballet by Coralli and Perrot returns in the revival of Yvette Chauviré

Giselle

The Royal Ballet’s In Her Hands is part of Marquee TV’s free Summer Shorts series, shining light on new and alternative productions, plus hidden gems. 

Starring Natalia Osipova, the production is set in Paris, 1892, and is inspired by the life and work of French sculptors Camille Claudel and Auguste Rodin. 

Set to the haunting melody of Fauré’s Elegie in C Minor Op24, the production includes choreography by the Royal Ballet’s Valentina Zucchetti.

The Royal Ballet’s In Her Hands stars Natalia Osipova and reflects on the relationship between French sculptors, Camille Claudel and Auguste Rodin.

In Her Hands

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of color, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. 

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty’s famous Rose Adage – to a playing card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.


Fall down the rabbit hole with the Royal Ballet's Alice's Adventures in Wonderland, choreographed by Christopher Wheeldon

Alice's Adventures in Wonderland

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original. A ballet in two acts, La Sylphide tells the tale of the Scottish dreamer James, who is fascinated by a woodland sprite and spurns his fiancée to follow her. Intent on capturing the ethereal beauty for his own, he accepts the help of the vengeful witch Madge, who leads him to his downfall.

The Australian Ballet presents La Sylphide, in a production by Erik Bruhn after August Bournonville’s nineteenth-century original.

La Sylphide

In a new production for the Royal Swedish Ballet, Eskapist is an entrancing, enthralling testament to the power of dance. 

Choreographed by Alexander Ekman with music from Mikael Karlsson, Eskapist revels in pushing the limits of what can be done on a stage, and the boundless potential of dance. Moving, funny, uplifting and other-worldly, this stunning production is not to be missed.

With Eskapist, Alexander Ekman choreographs a bold new work for the Swedish Royal Ballet.

Eskapist

The 2016 production of Frederick Ashton’s final works, Rhapsody, features ballet stars Natalia Osipova and Steven McRae. 

Filmed at London’s Royal Opera House, Rhapsody has long been a favorite for ballet fans. First created in 1980 at the request of Mikhail Baryshnikov, the ballet is set to Sergey Rachmaninoff’s Rhapsody on a Theme of Paganini. 

The male Principal’s role is characterized by exceptionally fluent leaps, turns and lightness of movement, inspired by Baryshnikov himself. It is twinned with the strength and grace of the ballerina, a role created for the pure, fleet-footed style of former Royal Ballet Principal Lesley Collier. The first performance of Rhapsody was given in honor of The Queen Mother’s 80th birthday in 1980.

Experience the 2016 production of Frederick Ashton’s Rhapsody, filmed at the Royal Opera House and starring Natalia Osipova.

Rhapsody

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

Sleeping Beauty

The Australian Ballet

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